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Showing posts with label Film. Show all posts
Showing posts with label Film. Show all posts

Jacques Demy

Staying with the theme of love, romance and Spring don't miss with a visit to the Jacques Demy exposition at the musee de la Cinémathèque Française. Who hasn't seen The Umbrellas of Cherbourg at one point or another? If you haven't you can catch it at the cinemathèque with your entry ticket to the exhibit
51, rue de Bercy Metro Bercy #6
The story of boy filmmaker, Jacques Demy meets girl filmmaker, Agnes Varda could not be more endearing...
In her own words...
Demy's earliest film efforts are displayed in a facsimile setup created in his attic at age 13. "It was alone in his attic young Jacques began to make short animated films, including Attaque Nocturne, in the tradition of films painted on celluloid. His desire to make films in 1949, next led him to Paris where he took classes at the École Technique de Photographie et de Cinematographie."
Throughout the exposition there are loads of interactive displays with film clips, headphones, sketches and storyboards many drawn by Demy himself.
Jacques Demy comes across altogether a tres sympathique guy passionately committed to creating his vision and supporting his actors in every way.
Catherine Deneuve, his main muse, appears in many of his films...
"Jacques is the first director who really looked at me, who really saw me. Something brought me to light, and gave me the self-assurance I could do something and confidence I could really do something I didn't really believe in, not because I had doubts but because I had a much deeper doubt about being able to do something special, about being unique".
Demy was mad for Hollywood and Marilyn Monroe. He made Jeanne Moreau over to replicate her in appearance, voice and gesture for Des Baies des Anges.
There's artwork to compliment and reference the films like Rual Dufy's Baies des Anges in Cannes. Other artists represented:Jean Cocteau, David Hockney, Alexander Calder, Niki de Saint-Phalle.
Costume sketches like Anouk Amiee's fabulous corselet from Lola..
Plus the elaborate costumes from Demy's fantasie period film, Peau d'Ane
With Deneuve again...
Sets if course and the amazing wallpapers specially designed for each film.. "For The Umbrella of Cherbourg, 90% of the papers were specially printed with the color we wanted. When I said to the production that I needed about 15,000 Francs worth of papers in a total sets budget of 120,000 Francs, they told me I was crazy. But that's where the money had to be spent; for the rest, we were sure we'd manage." 1981
The gift shop is a joy to behold, selling multicolored parapluies and the wIld hats worn by the sisters in 'Cherbourg'. On Saturdays at 5 there's a singing duo to accompany you through the exhibit (in French bien sur). And as previously mentioned your entry ticket can be used to see whatever films are playing that day in the Cinémathèque Française. A don't miss exhibit for total French immersion in my opinion.
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The Draughtsman's Contract



This past weekend I was wishing I was in Peter Greenaway's movie, The Draftsman's Contract(1982).
Mr. Thomas Neville, a cocksure young artist is contracted by Mrs. Herbert, the wife of a wealthy landowner, to produce a set of twelve drawings of her husband's estate.
Mrs. Herbert offers an unorthadox agreement:
'For which Thomas I am willing to pay 8 pounds per drawing and to provide full board for Mr. Neville and his servant'.

This is the artist surveying the properties.
Mr. Neville replies:
'The conditions of the agreement are my services as draftsman for 12 days for the manufacture of 12 drawings for the estate and gardens,'

Parks and outlying buildings of Mr. Herbert's property'.
Unfortunately for the itinerant artist the contract extends much further than either the purse or the sketchpad. The sketches themselves prove of an even greater significance than supposed in solving a murder mystery.
This weekend as I was sketching a scene in Cap Ferrat, south of France...

I thought wouldn't it be better to do it onsite non?
Or this wedding church in Sauternes for an announcement I have to sketch. I would much prefer to see it in the flesh so-to-speak...

A gelateria in Roma awaits my pencil and brush. Oh how I would adore to taste their gelato to get the true essence of the place.
Same situation here.

Several US Guerlain girls wanted their portraits in front of...
The Paris Guerlain headquarters. Et voila!

Tosca insisted on sitting in front of the cafe Georges V on the Champs-Elysees. So do I!
Photo by Carla Carlson
Here's a well known artist composition trick demonstrated in The Draftsman's Contract which Carla explained in full in her blog post recently.
The law of '
The Golden Mean' is a grid divided always into 3rds that helps create worthy compositions preferably with the center of interest in the middle right, like here or middle left.
NEVER smack in the middle.
Quelle disastre!
I have one of these viewfinder grids. You can easily DIY with a little frame and a bit of plastic. Then draw on the lines et voila! You're set to go. I have the same viewfinder grid set on my Canon S95 screen. Just go to Functions, find 'Custom Display' and then 'Grid Lines'.

Here you can see the draftsman's setup for plein aire painting.
The subject is lined up on the grid.

Then the grid is traced onto the paper and each area is filled in accordingly. You can see my strawberry on the cheesecake watercolor doesn't just happen to fall in that spot. OK it did, but I've practiced this so much it's been internalized. Try it you'll like it. And watch The Draftsman's Contract trailer below. If you want to send me or your hound to St. Tropez my bag is packed.
reade more... Résuméabuiyad